Rough Justice: The DC Comics Sketches of Alex Ross (Pantheon Graphic Novels)
| Author | : | |
| Rating | : | 4.65 (757 Votes) |
| Asin | : | 0375714901 |
| Format Type | : | paperback |
| Number of Pages | : | 224 Pages |
| Publish Date | : | 2016-01-27 |
| Language | : | English |
DESCRIPTION:
. Schulz, and Mythology: The DC Comics Art of Alex Ross. As an editor of graphic novels for Pantheon Books, he has worked with some of the very best talents in the medium, including Chris Ware, Dan Clowes, Art Spiegelman, Charles Burns, and David Mazzucchelli. His 1993 miniseries Marvels created a wider acceptance for painted comics. His non-comics work includes creating the poster for the 2002 Academy
Alex Ross opens his private sketchbooks to reveal his astonishing pencil and ink drawings of DC Comics characters, nearly all of them appearing in print here for the first time. Thousands of fans from around the world have trilled to Alex’s fully rendered photo-realistic painting of their favorite heroes, but as they may not realize, all of those works start as pencil on paper, and the origins of the finished images are rarely seen. Until now. From deleted scenes and altered panels for the epic Kingdom Come saga to proposals for revamping such classic properties as Batgirl, Captain Marvel, and an imagined son of Batman named Batboy, to unused alternate comic book cover ideas for the monthly Superman and Batman comics of 2008-2009, there is much to surprise and delight anyone who thought they already know all of Alex’s DC Comics work. Illuminating everything is Alex’s own commentary, written expressly for this book, explaining his though processes and stylistic approaches for the various riffs and reimaginings of characters we thought we knew everything about but whose possibilities we didn’t fully understand. As a record of a pivotal era in comics history, Rough Justice is a must for Alex’s legion of fans, as well as anyone interested in masterly comic book imagination and illustration.
"~The ROUGHest Justice you'll ever enjoy~" according to ©~K.I.S.S`E.S.S~don't lie~©. More than the finished works themselves, the sketches our favorite artists produce are often sought after more than the published masterpieces given to the public domain. We all just want to know, "Is he or she REALLY that good?!" In the case of Alex Ross, the answer is a resounding YEEEESSSS!!!!! He's got it in spades, and I actually went through this book in one evening: I am on a mission. It is quite easy to take the masters for granted; you know, the ones that you are willing t. BUY THIS NOW Jon Coleman I feel like I need to write a lot to tell you how great this book is. I haven't even actually read the book Justice (of which this is something of a "making of" book). However no matter how much I say it can't convey how awesome this man's talent is. Even his rough sketches (which there are plenty of) have more life and character than pictures I work on for a long time.He might just be the comic book equivalent of Norman Rockwell. He’s that good.. I spent roughly three years searching for something like this and finally found it I bought this as a present for a family member who is obsessed with comic books and superheros, as well as an art graduate and current art teacher. I spent roughly three years searching for something like this and finally found it! The description of the item and preview doesn't do it justice. It is just absolutely perfect and the sketches are amazing. It's like a look into not only the superhero and comic book world, but a look into the behind the scenes process of developing the
From Booklist Ross’ ultrarealistic, painted renditions of iconic superheroes have made him a superstar of the comic-book world. In this selection from his sketchbooks, his legions of fans can view some of the bases of his finished works. Edited and designed by Chip Kidd—no slouch in the design world himself—the volume opens the curtain on Ross’ creative process, revealing the sinews that underlie his acclaimed paintings. These pencil and occasionally ink renderings possess less elegance but more dynamism than the glossy end products, and they accentuate Ross’ powerful compositions. There are also sketches for noncomics work—among them, the ALA posters showing DC’s iconic heroes enjoying books in outer space, in the Batcave, and on Paradise Island—and character designs, including suggested revampings of Captain Marvel