Harmony in Mendelssohn and Schumann
| Author | : | |
| Rating | : | 4.34 (570 Votes) |
| Asin | : | 1108418031 |
| Format Type | : | paperback |
| Number of Pages | : | 524 Pages |
| Publish Date | : | 2013-09-10 |
| Language | : | English |
DESCRIPTION:
Smith. Expanding upon analytical practices from the eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.. This volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterworks section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a
About the Author David Damschroder is Professor of Music Theory at the University of Minnesota. He has since published studies on harmony in selected composers including Haydn, Mozart, Beethoven, Schubert, and Chopin, and he is the author of Tonal Analysis: A Schenkerian Perspective (2017). . His current research focuses on harmony in tonal music, a project that began with a careful examination of historical analytical practices, the basis for his Thinking About Harmony: Historical Perspectives on Analysis (Cambridge, 2008)
. His current research focuses on harmony in tonal music, a project that began with a careful examination of historical analytical practices, the basis for his Thinking About Harmony: Historical Perspectives on Analysis (Cambridge, 2008). David Damschroder is Professor of Music Theory at the University of Minnesota. He has since published studies on harmony in selected composers including Hayd